Billboard CD reviews: Lionel Richie, Dave Matthews Band (Reuters)
May 29th, 2009Cell Phones, Clouds and Streaming: Is The Music Industry Dreaming?
May 29th, 2009Mash-Up Video Inside Ableton with a MIDI-Controlled Plug-in
May 29th, 2009Live-triggered video inside your music host is about to get a lot more popular. Daniel “Herb” Herbert writes to let us know that his Mabuse Software, an “experimental audiovisual software company,” has developed a new AV plug-in for mashing up video. It’s a VST plug-in based on the now-defunct Pluggo, with a Max for Live port coming later this year as that is released. Of course, that does reveal some of the trouble with Cycling ’74’s decision to dump Pluggo. You’ll be limited to running this kind of cool software in Live, and from what they’ve said so far, you’ll also have to pay for Max for Live to do it - no free run-time is planned. But I can tell you that all of Jitter’s video and 3D output capabilities work from inside Max, including in full-screen mode, so there’s no question you’ll get some power out of the combination. I just hope people find some creative stuff to do and not just more of the same YouTube mash-ups.
Herb describes the software and promises more AV tools to come:
The beta version won’t save, but is otherwise fully functional.
A full screen add-on will be available soon, as well as a number of other plugins to expand the Mabuse AV range.
Features include:
Run video within a VST plugin
Automatic Tempo matching
MIDI controllable video fx
Easy to use browser
Record to Quicktime MovieA PC version will be available if there’s enough interest through the forum and you could be in with a chance of winning a copy by joining the mailing list before the full version is released.
Short 1 min demo video
5 min tutorial video
Solving problems my ideas for digital music.
May 29th, 2009Where do I take all my old cassette tapes, vinyl albums, cd’s? If I put them in a Garage Sale they sell for pennies if at all. Even on Ebay they bring little. I could digitize them all and throw them out but there are two problems with that. First, more clutter for the landfills and Second, most of this music has already been digitized by someone. It would be very time consuming to digitize all of this myself and why should I when it has already been done. I own these tapes , records and cd’s. I purchased them all. At the time when they were made no-one knew we were moving into a digital future full of mp3’s, Ogg’s, and other files. I could obtain most of these songs using a program such as Limewire that would search for all of these songs and let me download them for free. However, this is illegal as you cannot share copyrighted material. I could purchase them through a source such as Itunes or Lala, but why should I have to pay for something again that I already purchased just because the format has changed? I have an idea that would create jobs, promote recycling and curb the sharing of copyrighted music. I propose there should be centers all over the country where I could order a mailing box. I could then place up to 10 items in this box; cd’s, records, tapes. I pay for the box and postage. The center receives the box and documents the contents. The music is then made available to me to be able to download in digital format. The centers could have servers or be connected to Google, Itunes, etc. someplace where my songs could be available for a 1 week period to give me time to download them. I could also pay an additional fee to have the songs stored on a server for $10 a month. I would not pay for the songs but I would pay a processing fee of $2.00 per cd, record, or tape. The Records, Tapes and CD’s then get sent to recycling centers to be melted and re-used. This would also help to get all of the music digitized. Most of it (I believe) already is, so that work is done already – it would be more of sorting out the red tape with the record labels, music publishers, itunes, etc. as to how to coordinate all this together. There could be other centers set up that actually do the digitizing of media for items that are sent in that are not currently available in digital format anywhere. You can see many jobs would be created to do all the processing and digitizing work. I am not a business major by any means, so others could probably find additional or better ways of making profits by doing this. I personally would just like to use a service like this if it were available. I also believe many others would take advantage of it as well.
Music Labels Loosen Their Ties
May 29th, 2009
At the Digital Music Forum in New York City last January we sensed a new willingness by the major labels to take practical, measured steps towards encouraging an ecosystem that sustains innovation, allows new business models to take hold, and ultimately provides fans with engaging music experiences. highlights new reasons to be optimistic. From Imeem to Spotify, digital dreams are evolving into reality. The next six months are going to be very interesting and ripe for smart, resourceful entrepreneurs. We’re not there yet but these are first steps in the long march.
Palm’s new smart phone synchronizes with iTunes (AP)
May 29th, 2009Spotify App Streams Music To Android-Based Devices (NewsFactor)
May 28th, 2009Palm Pre Can Sync With iTunes (PC World)
May 28th, 2009Pirating a Fundraising Album for an Italian Quake - Really?
May 28th, 2009Sure, many issues around intellectual property are gray. But contributor Jo Ardalan has a disturbing story: what happens when a fundraising album gets pirated? Did illegal file sharing users know what they were doing — is there a need for a donation mechanism for these services — or is it really this bad? Apologies if this is old news - catching up during travel - but a question well worth considering. -Ed.
We all know piracy forces labels, artists and developers to incur a huge cost. Recently, however, illegal file-sharing cost a bundle for the fundraising efforts aimed to raise money for reconstructing parts of Italy after a recent and devastating April quake. Universal Music and Italian pop artists collaborated on a track entitled “Domani 21/4/09″ that sells digitally for 2 Euros and will later be sold in stores for 5 Euros. According to Variety, the track has been downloaded illegally 2 million times.
Caterina Caselli, who produced the track for free says that this project is (translated from Italian) “sort of ‘mission impossible’: in one project between eighty artists and musicians doing almost everything in one day. All have dealt with air travel at their own expense, technicians and porters have worked for free, as do the catering…Universal does not gain anything.”
Artists inovled are Jovanotti, Ligabue, Zucchero and Elisa and many others.
[Italian]

